Will & Grace is back, and so is the debate over its place in LGBTQ history Will & Grace opens by simultaneously erasing its past and embracing it So I wouldn’t go so far as to say that “nothing has changed” - and nor should NBC. However, as far as its actual content goes, some of the best moments are the ones that couldn’t have happened more than a decade ago. Having seen the first three episodes, I can confirm that the so-called “new but not really” Will & Grace maintains the same cadence as the show’s original iteration. (In the 2017 version of the show, Will and Grace are both divorced and living together once again, with no kids in sight.) The show’s rhythm feels the same as ever, with legendary TV director James Burrows ( Friends, Cheers) back on board, and the core cast of Debra Messing, Eric McCormack, Sean Hayes, and Megan Mullally will quickly remind you of why they were always Will & Grace’s biggest draw. The premise of Will & Grace hasn’t changed much at all, especially since the revival completely erases the events of the show’s initial series finale, in which Will and Grace stopped speaking for 20 years as they each raised children. This is somewhat true - but thankfully, only to an extent. Vox-mark vox-mark vox-mark vox-mark vox-mark
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